Archives: December 2009

kennykasualsband

A garage rock group, which mainly recorded and performed covers from Beaumont, Texas, S.J. and the Crossroads, were exceptional at recording tunes with a lone star signature sound. Of the small amount of information remaining about this group, I was able to find an interview with the original lead singer Sam Messina. In this interview Messina has problems coming to grips with the idea that his band fit the garage/punk sound. After listening to S.J. and the Crossroads snarling vocals and rough instrumentation, a garage image is unveiled.

impact scan
impact scan

Today I bring you two out of a slew of monster 45’s by The Crossroads, first which is a Jesse Hill cover of Ooh Poo Pah Doo. This single was recorded in Jones Studio in Houston; the group wanted a live feel for the track so they overdubbed background voices at the beginning of the track. The band supposedly was saying the word “Rhubarb,” over and over again, however the listener is unable to decipher this from the track. The second tune is a calm version of The Strangeloves “Night Time.”

kennykasualsband

The group consisted of six Italian guys from Beaumont. Mike Daleo on guitar, Phillip Battaglia on bass, Johnny Serio on lead guitar, Sam Giglio on keys, Sam Messina on vocals and S.J. Serio on drums. The group recorded on the Salmar Label out of Beaumont, which was created for the Crossroads. The name was selected because S.J.’s and Jonny’s father Sal Serio, who was the group’s manager and their mother’s name was Mary forming SALMAR Records.

kennykasualsband

LISTEN: S.J. and the Crossroads – Ooh-Poo-Pah-Doo

LISTEN: S.J. and the Crossroads – Night Time

littlejoe45

Today’s post features some classic brown-eyed soul born and brewed here in our beloved Lone Star State. Little Joe, born Joe Martinez in Houston, TX, started his first band with The Embers in early 1961. Throughout the 60’s and early 70’s, there were two Little Joe’s of Texas and they were often billed together at events, concerts and shows as the “Two Little Joe’s of Texas”. The Little Joe featured in today’s post is Little Joe Martinez, cousin to the late great Tejano music legend, Rocky Gil of Rocky Gil and The Bishops fame. The other ‘Little Joe’ is Joe Hernandez, notable for his recordings with Little Joe and The Latinaires and Little Joe Y La Familia, some of which may be heard on Jazzman Gerald’s illustrious Texas Funk compilation, which can be found and purchased here. Released by Discos Jesna in Houston, Little Joe’s rendition of The Bar-Kays classic “Soul Finger” skews lightly on the vibrato horn work of the original and misses the children’s screaming of the title name, but still holds strong as a bonafied Texas soul burner.

Recorded and distributed by Discos Jesna of Houston, TX, Soul Finger was one of the first records produced by Natcho and Jesse (hence “Jesna”) Garza, two brothers who opened their small-time record label from their two-car garage in North Houston in the early 60’s. Little Joe and The Ember’s first recording of “Me Piden” topped the Texas Chicano music charts at # 1 for six straight weeks, it was also their first #1 record produced in their studio. Little Joe was also a vital character in the Houston Chicano music scene, he was friend to legendary producer & label owner Huey Mueax, and was involved with the distribution of spanish/country crossover hit, “Before The next Teardrop Falls”, recorded and produced by Huey’s Tear Drop Records, considered to be their biggest selling record by Texas music legend Freddie Fender. Little Joe continued to perform throughout the 80’s and 90’s under various band names and is widely recognized for his enormous contributions to Tejano music, playing with everyone from Selena’s father’s band Los Dinos to Sunny Ozuna to Selena herself, amongst a host of Chicano Texan music icons. Without a doubt, Little Joe Martinez is an integral part of Texas music and heritage. You can check out more of Little Joe’s resplendent music catalog here, and find out more on the formative years of the Tejano music culture on PBS’s wonderful Latin Music USA documentary series here.

Lastly, I would like to personally thank Little Joe Martinez for all his help and guidance on the information and photos for this week’s post, gracias por todo hermano!

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LISTEN: Little Joe and The Embers-Soul Finger

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