Archives: February 2010

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Time to time we come across our most prized findings in the oddest of places, sometimes buried under our noses. Today’s post is a shining example of how rare and otherwise expensive records are sometimes found within the dusty confines of our local record shops dollar bins. Case in point, I came across Soul Apollo’s Chombo Pa’ La Tienda 45 in the dollar bin at one of my favorite local record shops here in town. Out of a stack of seemingly unusual titles and oddball releases, I saw Soul Apollo’s beat-up sleeveless record waiting for me to take him home and sleeve him. A few things struck me when I came across this one buried under some standard golden oldies and children’s records, one being the word Soul in the group title, coupled with spanish wording in the song name, and the genre listing on the record as “Calipso”. Yup, sold. One dollar? Done.

This particular dig awarded me with a fine grip of soulful tunes and garage rock oddities, along with today’s record, but it’s interesting to note that all of them had the name Spice written across the labeling in large lettering, and it’s not the first of his (her?) records that I now own. All told, Spice and Woods are two people in town who really cared to tag their prized vinyl possessions in large lettering, I could likely dedicate an entire crate to their former possessions, but I digress. I listened to this single a few times over, quite content with my finding and amused with the novelty dialogue interlaced throughout the course of the song. I could only decipher some of the spanish, but was at a lost with the thick Antillean accent. What I could gather, however, is that Chombo is sent on a mission by his nagging (and eerily masculine) Mother to fetch some items at at the local store. And his crew, the Soul Apollo, sing the chorus of Chombo’s painful experience with his badgering Mother. Some months later, I was back at that same record shop and picked up a copy of Soundway’s newly released Panama! 3 LP, I came home and hurriedly placed it on the turntable, only then to find that “Chombo Pa’ La Tienda” was a featured cut on the newly issued compilation.

I can’t say I know much about Fredrick Clarke and his Soul Apollo, but I can phrase some of the sentiments from the Soundway clan from their liner notes:

“The historical calypso tradition of tall tales, wit and oral storytelling has been a useful aid in both commenting on and understanding Panama’s complicated social structure. It’s evident, listening to this song in 2009, that theatrical embellishment in music is slowly becoming a lost art. It’s also easy to see why Chombo became so popular, it’s just a pity he never made television!”

That just about says it all for me, nevertheless, hope you enjoy Soul Apollo w/ Fredrick Clarke with their “Chombo Pa’ La Tienda”. And if i might add, I highly recommend Soundway’s in-depth compiled coverage of Panamanian soul, calypso, cumbia and guajira jazz over here, all 3 of the series are a must!

LISTEN: Soul Apollo w/ Fredrick Clarke-Chombo Pa’ La Tienda


The Brym-Stonz was a high school group sliding out of Angleton, Texas, south of Houston. Curtis Kirk, owner of Custom Records recorded “You’ll Be Mine,” in east Texas in Tyler in 1967. The Tracks on this record were laid down in Kirk’s converted garage/studio. Of course being in Tyler it is astonishing that this record was not recorded in Robin Hood Brians studio, however I feel that it gives this record more of a primitive feel than the other Robin Hood tracks. Curtis Kirk did have Robin Hood record some of his other groups on the Custom label including Billy McKnight and The Plus 4. “You’ll Be Mine,” makes an unusual mark on the Texas garage scene of the sixties. This moody, deliberately sluggish tune sends chills up your spine with a theme of crossed love and the path of forgiveness. The tribes and tribulations are easily felt through the lyrics “Don’t think I’m sorry will get you by this time.”


The group’s members were: Henry Munson on organ, Don Prilop on drums, Dwayne Sanders on bass, Mike Riggle on 12 string and vocals and Leslie Roberts on guitar and vocals. After digging up this record and sourcing some information, of course, I came across a great post on Garage Hangover. After realizing this group was from Angleton, and knowing that much of my family was born in Brazoria County, in Freeport and Lake Jackson, which both are neighboring towns of Angleton, brings me back to my child hood. To bad I can’t say I was there to hear this group, but maybe my family did at one time or another. Enjoy this tingling slice of Angleton.


LISTEN: The Brym-Stonz LTD. – You’ll Be Mine

5 Feb 2010, Comments (2)

The Huggins Bros. (Knight) 1964

Author: michael selman

The Huggins Bothers were a Texas group that had the garage sound pretty early in the game. With this 45 recorded in 1964 with there cover of Dale Hawkins “Susie Q” and there cover of The Venture’s “Mr. Moto.” One can really hear the groups blues influence on “Susie Q” especially from Texas born Freddie King, the original slow hand. I had a phone conversation with Gary Huggins about the group:

We recorded this single in 1964 for Knight Records in Dallas. The members were: myself, Gary Huggins on lead guitar, my brother Lanny Huggins on vocals and rhythm guitar, my other brother Mickey Huggins on drums and Bobby Floyd on bass, we later picked up a keyboard player after this recording session his name is Mike Haynes. We started playing music together in Paris, Texas as children as young as 9 to 10 years old. We all grew up together with guitars and musical instruments, from our parents playing music and listening to country and blues. Our main influences at the time we recorded this single were from the blues genre, acts like Jimmy Reed and Freddie King, but also many country acts as well. Being from Paris we played in Dallas a lot, however being to young to play in the bars and clubs we played mainly parties and jamborees. We didn’t really play with to many other rock groups of the day in Dallas because we were younger than many groups, but had more experience since we had been playing together since we were kids. We were getting paid to play, we had ten years of experience playing, so we were playing paying gigs, while the other up and coming rock groups were just trying to play (bedroom groups). We were lucky in this aspect because we were able to play bigger venues. Don McKnight who owned Knight Records happened to be from Paris and knew us all well and was actually a rockabilly artist and approached us to record. So we recorded “Suzie Q” and “Mr. Moto.” On the cover of “Suzie Q” I used, for the opening chord, E7#9 (common jazz chord) as far as I know it was not used in a rock context until Jimi Hendrix and others started commonly using it in the late 60’s. I borrowed it from a jazz tune that I played by Howard Roberts. After recording that track my brother Lanny moved to Tyler to pursue a communications degree, and was replaced by Paul Hutchins. Paul Hutchins recorded a track for the Sea Ell label “People Gonna Walk on You,” at Robin Hood Brians Studio. Paul was also from Paris, Texas and was a best friend of my brother Mickey growing up.

Gary actually played electric sitar on the Paul Hutchins track for Sea Ell. If I can ever track down a copy of that single I will post it here. Gary, his brothers and Paul Hutchins still play in Dallas and Paris to this day. I would like to dedicate this post to Gary who provided all of the information and photos to boot, but also to the group’s original bassist. Bobby Floyd who is battling cancer, I wish the best to him and his family.

The Photo below shows the entire group in 1964 playing at the Cabana Hotel in Dallas for a fraternity party. Enjoy this early Texas rock.


LISTEN: The Huggins Bros. – Suzie Q

LISTEN: The Huggins Bros. – Mr. Moto

5 Feb 2010, Comments (4)

Rafael Duran y Omega-Pow Pow (Mr. G 1973)

Author: alex larotta
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Greetings fellow shakers, thought I should spice it up a bit with some Texas-flavored latin soul for this week’s post. To be more precise, this record seems to fall more in line with the guajira boogaloo category, though retaining a uniquely soulful property. Hailing from San Antonio, TX, Rafael Duran Y Omega cut this groove-laden slinky single for the local Mr. G Records. Pow-Pow features a distinctly haunting overtone with a moody B3 organ adding that delightful polyrhythmic quality commonplace in afro cuban rhythms. Though limited information, I did find that Rafael Duran Y Omega cut a full length LP with Mr. G in the late 70s, but it seems to be more of the Ranchera/Tejano persuasion, likely within their latter career days. The duo also released a handful of 45s for Mr. G, but with little radio love they seemed to have disappeared into obscurity due to limited commercial success. Eddie Aleman is credited as singer for this particular recording, and most likely recorded at Mr. Guerra’s Amen Studios in San Antonio, still in operation to this day.

Mr. G Records seem to have also slipped into ambiguity with little information to trail, and although they were an independent/private record label, Mr. G is responsible for some of the biggest, meanest (and rarest) funk and soul to come from our beloved Lone Star State. Recording and releasing records from the now-legendary Mickey and The Soul Generation, quoted to be Josh Davis’s aka DJ Shadow’s “favorite funk band” (check out his own reissue of that band’s recordings, Iron Leg, here) to Dimas and a wealthy grip of Chicano artists, Mr. G kept San Antonio in independent music business.

Interesting to note that the publishing company noted on this record, “Guerra Company Production“, are also responsible for releasing some of San Antonio’s greatest brown-eyed soul and pop groups under the GC Productions label, ranging from Tortilla Factory to Joe Gallardo y Sol to The Royal Jesters and much more. GC Productions was also manned by the aforementioned Manny Guerra and his team of music producers. Lastly, thought I would point out that Jazzman Gerald’s storied Texas Funk compilation features some music from Manny’s labels, and the cover art on the record actually reads, “Mr. G’s Texas Funk“. Props to Austin print designer and record collector extraordinaire, Noel Waggener, for his contributions to the cover and compilation. Without further ado, Rafael Duran y Omega’s “Pow-Pow“, hope you dig it!

LISTEN: Rafael Duran Y Ortega-Pow Pow

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