Archives: September 2010


Another recording in the seemingly endless vault of San Antonio westside soul, Joe Bravo’s “It’s Okay” was originally written and recorded by Tex-Mex music mogul Manny Guerra and The Sunglows. With its simple R&B arrangement, heavy-handed vocal reverb, and spikes of maniacal laughter interspersed throughout the song (which is so over the top it’s nothing short of brilliance), It’s Okay retains a uniquely dark and unsettling overtone for an R&B/pop single. The song follows a young man’s woes of heartbreak and ultimate acceptance of lost love, pouring over the details of the story in a seemingly drunken stupor. But, maybe that’s what makes it such a great teenage love song.

I can’t recommend Ruben Molina’s Chicano Soul: Recordings and History of an American Culture enough to our readers. Full of great stories, pictures/record scans, concert bills (and related ephemera), label discographies, and in-depth conversations with artists and band members of the era, Molina covers the little-known subgenre in great detail with unfettered determination to the cause. I thought I might borrow his lyric transcription of It’s Okay as written in the liner notes of the book and share it here–it’s just too good not to share, in my opinion. I might note that the laughs were written in the lyrics as per Manny’s original composition of the song. Enjoy:

He he he ha ha ha ha
It’s alright, I’ve been hurt before
You don’t love me anymore
He, ha
Maybe someday, I’ll find a way without you

What am I saying?
It’s okay, huh
Baby, I can see
It’s okay
But, but will it make you happy?
Maybe someday I’ll find a way without you
He he he he ha ha ha ha
Someday, huh, it won’t be long.
He he he he ha ha
You’re going to find yourself all alone

LISTEN: Joe Bravo y Su Orquestra-It’s Okay

Mix in Bob Dylan’s nonsensical lyricism, a recognizable chord progression/organ vamp (i.e. Them’s Gloria), handclaps on the one, and stir it with a funky southern swagger, and you’ve got a hit. At least, it worked for Memphis’ The Hombres and their Let It Out (Let It All Hang Out) single on Verve from 1967. It’s a pretty ridiculous song, and ridiculously catchy at that. Clocking out an inch past two minutes, Let It Out (Let It All Hang Out) was produced by Texas record cowboy, Huey Meaux, and charted the national Top 40 for a few weeks in the fall of ‘67 (peaking at #12). The Hombres attempted to follow up on their novelty approach to hit-makers with another 45 (and full-length LP), but failed to chart again and dissipated shortly thereafter in 1969. For me, this record is testament to why psychotropics and late 60s music experimentalism worked so damn well.
LISTEN: The Hombres- Let It Out (Let It All Hang Out)