Archives: October 2010

20 Oct 2010, Comments (2)

The Raiders – Raisin’ Cane (Van) 1963

Author: michael selman
kenny and the kasuals

Our story starts in Lake Jackson, Texas, where the small record label Van was once based. Charles and Bobby Vanmeter, two brothers from Longview, TX, started the label out of the back of their music store in Lake Jackson. Both men ran the small studio where they used a Roberts 4 track recorder to recorded local acts from Angleton, Clute, West Colombia and Freeport. The two brothers took on an accountant to help with the business side of the label named Lonnie Roberts, who was also an accountant for Dow Chemical at the time. Lonnie’s address was used occasionally, which is why you see Angleton on the labels and not Lake Jackson. Lonnie once recorded a single for the label with The Raiders titled, “Rugged But Right/ Room Full of Roses.”

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The two groups I would like to spot light on this specific label are the Raiders and The Originals. I have come across some evidence that Van did in fact record a few groups in the Garage, Rocker vein, but have not acquired them as of yet.

The Raiders were a three piece consisting of Jessie Castor on bass, Bill Pitcock on drums and Terry Simpson on guitar. I had the pleasure of speaking with Terry Simpson on the phone to get the down low on this mysterious label and his group along with some information on The Originals.

Terry told me that the group started in 1961, but did not actually record until 1962. The group’s first recording was the hit, “Stick Shift.” It was outside of a club in Angleton that Terry just started playing around on the guitar and ended up writing the guitar section of the song on spot. The group went to the Vanmeters with the song where Terry and Jessie Castor then wrote the rest of the song and recorded the tune. “Stick Shift” sold 10,000 copies in Houston alone after being picked up by the Vee Jay label, giving the record worldwide distribution.

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When the group started playing Terry was a fifteen year old and a freshman in High School, Jesse Caster was twenty-two, and Bill Pitcock was twenty-six years old. Another single the group wrote, which was not a chart topper, was a track titled “Raisin’ Cane/Repetition.” This disc is my personal favorite and was recorded in about 1963 with two different members, Clyde Kirkpatrick on bass and Larry Cox on Drums. This tune features a slower bass line edging toward a tittyshaker.

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It was around this time The Raiders went through multiple lineup changes and finally became the backing band for Walter Crane, who was a popular vocalist in the area.

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The second group I would like to highlight is The Originals. Gary King on guitar, Ronnie Ellis on VOX, Gary’s brother Tommy King on bass, and George Shelton on drums made up the group. They started out with a sound similar to that of The Raiders, but later recorded a few slower ballads and a few moody garage numbers. The Originals went on to record Terry’s “Stick Shift,” with a slight title change, “Stick Shift 65.” Terry Simpson was a huge influence for Gary King and many other guitar players in Texas at the time. Billy Gibbons will even drop Terry Simpson’s name when asked of his early influences.

The Originals eventually recorded four singles for the Van Label. The first one, “Scatter Shot/Lucille,” was the topside written by Garry King and the flipside was a moody version of Little Richard’s “Lucille”.

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The group then recorded “Honey Blonde/ One Little Raindrop,” both tunes written by Monte Angell. Their third single contains the Terry Simpson and Jessie Castor cover of “Stick Shift 65/Blast Off”, with the “Blast Off portion written by Gary King. Their fourth single contains my favorite of the four singles “How Much of Your Heart/Searching For Your Love.” The song features Ronnie Ellis belting out the vocals and was written by Monte Angell. For more information on The Originals please refer to Garage Hangover’s interview, which features some additional tunes as well.

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I would like to thank Terry Simpson for giving me his time, and Doug Hanners for providing the photos of the band on stage and the publicity poster.

LISTEN: The Raiders – Stick Shift

LISTEN: Lonny Roberts & The Raiders – Rugged But Right

LISTEN: The Raiders – Raisin’ Cane

LISTEN: Walter Crane & The Raiders – Everyday I Have the Blues

LISTEN: The Originals – Lucille

LISTEN: The Originals – How Much of Your Heart

11 Oct 2010, Comments (1)

Soul One’s-Soul Pot (Deal 1971)

Author: alex larotta

From the dusty, multicultural border pueblo of El Paso, TX, comes today’s Soul One’s with their 7″ single Soul Pot b/w This Is My Prayer. Steeped in wah-wah guitar fuzz, party-styled hoots and hollers, and latin-tinged percussion fills by way of 70s west-coast fusionists War and Azteca, Soul Pot takes the cake for some of the best in border town funk. Not much to report on the personnel makeup of Soul One’s or how active they may have been in recording/performance, but one single can speak volumes on talent and output. From inference, I could gather that there’s a handful of fellas in the group; from bass guitarist to rhythm and lead guitarists to multi-percussionists, all of which take a stab at singing/hollering throughout the song.

Considering the overall lo-fi ‘muddied’ feel to the track, it almost sounds like a single-track (possibly mono) recording with little post-production mixing or studio effect, adding to its lure as another fine addition to independent funk recordings in the great Lone Star State. After a series of dead ends looking for in-depth information on the group, it seems the Escondido publishers may have been based in western New Mexico, not too surprising considering the relative distance from El Paso city limits. Either way, I’m glad to finally have my hands on a copy, and more than happy to share with our audience. Should anyone have more info on this mysterious group, please feel free to send it along. Enjoy!

LISTEN: Soul One’s-Soul Pot
2 Oct 2010, Comments (0)

The Coachmen – I’m a King Bee (Bear) 1966

Author: michael selman

Holding one of the most common band names in the 60s garage scene, The Coachmen hailing from Lincoln, Nebraska were the most successful with their hit “Mr. Moon.” I had the pleasure of contacting Bruce Watson, the group’s drummer. The Coachmen was originally a six piece, formed from the demise of two Lincoln, Nebraska bands. Rick Bell on organs, Red Freeman on rhythm guitar, Craig Perkins on bass and Jeff Travis on rhythm guitar, were all from a group called The Viscounts. Bruce Watson on drums and Jim Reinmuth on electric piano, were from The Chandells. In 1965 Jim Reinmuth left the group creating the five piece mold that was kept through out the sixties, until horns were added later. In the summer of 1965 just before recording Mr. Moon, Red Freeman left the group to be replaced by Frank Elia who took over as lead vocalist and rhythm guitar.


In August of 1965 Mr. Moon and Nothing At All were recorded in Sears Studio in Omaha, Nebraska. This first recording put the group on the map, and turned into a regional hit. Originally Mr. Moon was released on the MMC label, which later helped them strike a distribution deal with Bear Records, who also re-released the disc. In the next 12 months the band was receiving airplay all over the United States. Mr. Moon, right away strikes a chord of melancholy, which is accompanied by a quick, sharp, organ piece, which turns into a story of lost love. This moody garage tune, with its catchy hooks, will stick in anyone’s head for days.


In 1966 the group added two horns, Rusty Davis on trumpet and Merle Leadly on sax. The group then covered Ray Sharpe’s Linda Lou backed with a garage tinged version of Slim Harpo’s swamp blues tune I’m A King Bee. This track is my favorite that The Coachmen released. The Coachmen’s version of I’m A King Bee swings a bit from the original. A main change, from the walking bass line of the original to a sliding bass line, and not to mention the added hand claps with extra reverb on top, give this tune a ruff and tuff sound, where the original was straight forward blues. For the group’s next single, the two horns were dropped to regain the garage roots of the original line up, covering The Who’s My Generation.


The group would continue to record, however with a market movement to a younger crowd, The Coachmen would need to make some changes. These changes were used to keep up with the bubble gum sound, which had begun to take root. The group tried two different Identities, Alexander’s Rock Time Band and Professor Morrison’s Lollipop, with some success, which also lead to other recording and production deals with Super K and White Whale. The group later broke up in 1969.

The Coachmen were inducted into the Nebraska Music Hall of Fame in 1997, and the Iowa Rock N Roll Hall of Fame in 2008. All of the information and the one promo photo came directly from Bruce Watson or The Coachmen website. These guys have a 19 track CD that is for sale on their site, which can be purchased here. The mailing address for the groups Merchandise is not up to date, please email them, for information. To check out all of The Coachmen’s merchandise look here.

LISTEN: The Coachmen – Mr. Moon

LISTEN: The Coachmen – I’m a King Bee