Archives: January 2011

12 Jan 2011, Comments (4)

Vern Pullens – It’s My Life (Spade) 1956

Author: michael selman
kenny and the kasuals
Orville “Bennie” Hess

Rumored to be the subject matter of the tune “Long Tall Texan”, the 6′6 tall Orville “Bennie” Hess was allegedly involved in the famed recording of “Jole Blon” by Harry Choates at Gold Star Studio.

In Andrew Bradley and Roger Wood’s book House of Hits there is evidence of a possible partnership formed between Bill Quinn (original owner of Gold Star), Bennie Hess and Frank Sanborn. This partnership, if factual, created the Gulf Record Company, Bill Quinn’s first record label. This relationship leads to a stronger possibility that Hess was in on the “Jole Blon” recording, an original Gold Star Records recording. This original recording was dropped in 1946, the same year that the Gulf Record Company seized all recording.

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In early 1956 Hess formed the Spade Label in Houston, where he would record some of the best rockabilly to ever come out of Texas. In 1956 Hess met Vern Pullens at a radio station in Mississippi and decided to add him to the Spade roster. Pullens was from Picayune, Mississippi, where he was a brick layer by trade and musician in his free time.

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On the 27th of September in 1956, Pullens came to Houston to record his first single “It’s My Life” / “Bop Crazy Baby.” A few sources claim that Doyle Jones engineered this recording. This first recording is considered to be one of the best rockabilly singles of all time and is highly sought after by record collectors across the globe.

kenny and the kasuals

Vern Pullens

I was lucky enough to turn this track up in a pool hall in Eagle Lake, Texas, which had been in the hall’s juke box for years. Pullens later recorded for Pappy Dailey’s D Records and The Big Howdy label. I personally like the “It’s My Life” side of this single for its almost moody, tough greaser quality. Vern Pullens passed away in 2000 from cancer.

LISTEN: Vern Pullens – Bop Crazy Baby

LISTEN: Vern Pullens – It’s My Life

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Buddy Ace’s True Love, Money Can’t Buy defines sweet mod R&B to near perfection, a considerable staple from this short-lived era. Much like his musical peers, Ace adapted his blues roots with popular R&B rhythm of the day–a formula he used for a string of local hits produced by one of Houston’s finest record men, Don Robey, and his imprint for local musical legends, Duke Records. Though Ace enjoyed moderate success on the local charts and radio airplay, he was never able to reach a major breakthrough on the national charts, trailing a misguided musical career to relative obscurity before his passing in 1994. Ace remained with Duke for 15 years before moving on, an enduring phase of his career that likely provided most of his popularity and remembrance. True Love, Money Can’t Buy holds steady at a dance friendly mid-tempo beat–accompanied by fluttery flutes, an over-easy rhythm guitar, and Ace’s powerfully transcendent vocals. Add some sweet backup female harmonizing, and we have some fine-pressed Texas R&B.

Ace moved to the Bay Area in the 70s, looking to further his career in the entertainment enclaves of the West Coast, though never breached mainstream attraction he sought and arguably deserved. Ever the dedicated and tireless musician, Ace continued touring and recording in his elder years, cutting another three records in the last decade of his life. When it comes to the sheer enormity of the Duke/Peacock record catalog, Buddy Ace’s 45s remain some of my favorite from the entire archive. Here’s to hoping for a complete (legit) reissue of his Duke recording catalog, but in the mean time, enjoy:

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LISTEN: Buddy Ace-True Love, Money Can’t Buy