Straight from San Antonio, Danny & The Tejanos show us some chicano funk with their instrumental “Mustard Greens.” The Tejanos had a small discography starting with San Antonio’s Pa-Go-Go label; known for it’s famed release of “96 Tears.” Pa-Go-Go was a family owned independent record label based at 408 Hazel St. San Antonio, Texas. The name of the label was derived from the names of the family members who ran the operation: PAto, Rudy and Manuel GOnzales. Danny and the Tejanos stayed with Pa-Go-Go for only one release quickly, within the same year, switching to Huey P Meaux’s Teardrop Records. Teardrop was founded in Winnie, Texas in the early 1960s. Huey P. Meaux quickly moved his label to Conroe, Texas. Many of the Texas releases out there have gone through Meaux, a lot of the time under his original Disc Jockey name the “Crazy Cajun.” Later The Tejanos changed their name to Danny & The Texans and recorded a single for Cobra Records.

Most of the other releases from the Tejanos are slower soul tracks with honking horns and dripping lyrics. “Mustard Greens,” stands out from any other release from this group. Right from the top, the track barrels into a strong bass line and hooky horn section. About half way through when the drum break hits you know you’re hearing some heavy San Antonio Funk. Enjoy.

Pa-Go-Go
112 – Sweet Thing/ What’s The Word (1966)
Tear Drop
3148 – Oiga Compadre/ Por Tu Dulce Amor
3164 – My Love / Mustard Greens (1966)
Danny and the Texans
Cobra
001 – Rockin’ Johnny Home / Old Reb

LISTEN: Danny & The Tejanos – Mustard Greens

The first in a series of upcoming mixes and such that I’ll be putting out soon, here’s a Valentine’s Day mix for all the good folks out there. My good friend/DJ partner Dan del Castillo and I compiled some of our favorite love songs, from both aisles of lovers lane. Some songs of pain and agony, and some of joy and happiness, all of which are classy and delightful. We also thew in some samples and sound bites to lighten the mood and make some breaks in the mix. Hope you spend your weekend with the ones you love, this one’s for you and you and us.

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LISTEN/DOWNLOAD: Please Heart Don’t Break

tracklisting for the mix is as follows:

Bob Dylan- Wigwam

*Charlie Brown*

Stevie Wonder-Hey Love

The Superlatives- I Don’t Know How To Say (I Love You)

Alvin Robinson- Something You Got

The Coasters- Down Home Girl

*Queen To Be*

Willie Hutch- I Choose You

Brothers of Soul- A Lifetime

Al Green- Love is a Beautiful Thing

New Holidays- Maybe So, Maybe No

Ruby Andrews- You Made A Believer (Out Of Me)

*Superbad*

Dorando- Didn’t I

Nelson Sanders- I’m So Lonely

Betty Harris- Nearer To You

Lee Fields and the Expressions- Do You Love Me (Like You Say You Do)

The Quantrells- Can’t Let You Break My Heart

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Time to time we come across our most prized findings in the oddest of places, sometimes buried under our noses. Today’s post is a shining example of how rare and otherwise expensive records are sometimes found within the dusty confines of our local record shops dollar bins. Case in point, I came across Soul Apollo’s Chombo Pa’ La Tienda 45 in the dollar bin at one of my favorite local record shops here in town. Out of a stack of seemingly unusual titles and oddball releases, I saw Soul Apollo’s beat-up sleeveless record waiting for me to take him home and sleeve him. A few things struck me when I came across this one buried under some standard golden oldies and children’s records, one being the word Soul in the group title, coupled with spanish wording in the song name, and the genre listing on the record as “Calipso”. Yup, sold. One dollar? Done.

This particular dig awarded me with a fine grip of soulful tunes and garage rock oddities, along with today’s record, but it’s interesting to note that all of them had the name Spice written across the labeling in large lettering, and it’s not the first of his (her?) records that I now own. All told, Spice and Woods are two people in town who really cared to tag their prized vinyl possessions in large lettering, I could likely dedicate an entire crate to their former possessions, but I digress. I listened to this single a few times over, quite content with my finding and amused with the novelty dialogue interlaced throughout the course of the song. I could only decipher some of the spanish, but was at a lost with the thick Antillean accent. What I could gather, however, is that Chombo is sent on a mission by his nagging (and eerily masculine) Mother to fetch some items at at the local store. And his crew, the Soul Apollo, sing the chorus of Chombo’s painful experience with his badgering Mother. Some months later, I was back at that same record shop and picked up a copy of Soundway’s newly released Panama! 3 LP, I came home and hurriedly placed it on the turntable, only then to find that “Chombo Pa’ La Tienda” was a featured cut on the newly issued compilation.

I can’t say I know much about Fredrick Clarke and his Soul Apollo, but I can phrase some of the sentiments from the Soundway clan from their liner notes:

“The historical calypso tradition of tall tales, wit and oral storytelling has been a useful aid in both commenting on and understanding Panama’s complicated social structure. It’s evident, listening to this song in 2009, that theatrical embellishment in music is slowly becoming a lost art. It’s also easy to see why Chombo became so popular, it’s just a pity he never made television!”

That just about says it all for me, nevertheless, hope you enjoy Soul Apollo w/ Fredrick Clarke with their “Chombo Pa’ La Tienda”. And if i might add, I highly recommend Soundway’s in-depth compiled coverage of Panamanian soul, calypso, cumbia and guajira jazz over here, all 3 of the series are a must!

LISTEN: Soul Apollo w/ Fredrick Clarke-Chombo Pa’ La Tienda


The Brym-Stonz was a high school group sliding out of Angleton, Texas, south of Houston. Curtis Kirk, owner of Custom Records recorded “You’ll Be Mine,” in east Texas in Tyler in 1967. The Tracks on this record were laid down in Kirk’s converted garage/studio. Of course being in Tyler it is astonishing that this record was not recorded in Robin Hood Brians studio, however I feel that it gives this record more of a primitive feel than the other Robin Hood tracks. Curtis Kirk did have Robin Hood record some of his other groups on the Custom label including Billy McKnight and The Plus 4. “You’ll Be Mine,” makes an unusual mark on the Texas garage scene of the sixties. This moody, deliberately sluggish tune sends chills up your spine with a theme of crossed love and the path of forgiveness. The tribes and tribulations are easily felt through the lyrics “Don’t think I’m sorry will get you by this time.”


The group’s members were: Henry Munson on organ, Don Prilop on drums, Dwayne Sanders on bass, Mike Riggle on 12 string and vocals and Leslie Roberts on guitar and vocals. After digging up this record and sourcing some information, of course, I came across a great post on Garage Hangover. After realizing this group was from Angleton, and knowing that much of my family was born in Brazoria County, in Freeport and Lake Jackson, which both are neighboring towns of Angleton, brings me back to my child hood. To bad I can’t say I was there to hear this group, but maybe my family did at one time or another. Enjoy this tingling slice of Angleton.


LISTEN: The Brym-Stonz LTD. – You’ll Be Mine

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