Tags: frat rock

5 Feb 2010, Comments (2)

The Huggins Bros. (Knight) 1964

Author: michael selman

The Huggins Bothers were a Texas group that had the garage sound pretty early in the game. With this 45 recorded in 1964 with there cover of Dale Hawkins “Susie Q” and there cover of The Venture’s “Mr. Moto.” One can really hear the groups blues influence on “Susie Q” especially from Texas born Freddie King, the original slow hand. I had a phone conversation with Gary Huggins about the group:

We recorded this single in 1964 for Knight Records in Dallas. The members were: myself, Gary Huggins on lead guitar, my brother Lanny Huggins on vocals and rhythm guitar, my other brother Mickey Huggins on drums and Bobby Floyd on bass, we later picked up a keyboard player after this recording session his name is Mike Haynes. We started playing music together in Paris, Texas as children as young as 9 to 10 years old. We all grew up together with guitars and musical instruments, from our parents playing music and listening to country and blues. Our main influences at the time we recorded this single were from the blues genre, acts like Jimmy Reed and Freddie King, but also many country acts as well. Being from Paris we played in Dallas a lot, however being to young to play in the bars and clubs we played mainly parties and jamborees. We didn’t really play with to many other rock groups of the day in Dallas because we were younger than many groups, but had more experience since we had been playing together since we were kids. We were getting paid to play, we had ten years of experience playing, so we were playing paying gigs, while the other up and coming rock groups were just trying to play (bedroom groups). We were lucky in this aspect because we were able to play bigger venues. Don McKnight who owned Knight Records happened to be from Paris and knew us all well and was actually a rockabilly artist and approached us to record. So we recorded “Suzie Q” and “Mr. Moto.” On the cover of “Suzie Q” I used, for the opening chord, E7#9 (common jazz chord) as far as I know it was not used in a rock context until Jimi Hendrix and others started commonly using it in the late 60’s. I borrowed it from a jazz tune that I played by Howard Roberts. After recording that track my brother Lanny moved to Tyler to pursue a communications degree, and was replaced by Paul Hutchins. Paul Hutchins recorded a track for the Sea Ell label “People Gonna Walk on You,” at Robin Hood Brians Studio. Paul was also from Paris, Texas and was a best friend of my brother Mickey growing up.

Gary actually played electric sitar on the Paul Hutchins track for Sea Ell. If I can ever track down a copy of that single I will post it here. Gary, his brothers and Paul Hutchins still play in Dallas and Paris to this day. I would like to dedicate this post to Gary who provided all of the information and photos to boot, but also to the group’s original bassist. Bobby Floyd who is battling cancer, I wish the best to him and his family.

The Photo below shows the entire group in 1964 playing at the Cabana Hotel in Dallas for a fraternity party. Enjoy this early Texas rock.


LISTEN: The Huggins Bros. – Suzie Q

LISTEN: The Huggins Bros. – Mr. Moto

13 Nov 2009, Comments (0)

The Sparkles – The Hip (HICKORY) 1966

Author: michael selman

As far as garage music in the sixties was concerned, there were two categories: there was The Sparkles and there was everybody else that didn’t stack up. Born in Levelland, Texas then relocating to Lubbock, this group is absolutely the rawest, screaming garage I have ever dug up. While many groups later in the seventies experimented with two drummers these guys were doing it in 1965 and doing it well. Formed in 1957, but not recording their debut until 1962 “The UT” (for Untitled) on the tiny Caron label. This recording garnered zero attention.


After this flop most of the group went on to new projects leaving only one remaining original member to start a new line up from scratch. This line up would turn out to be a success with: Louie Holt on lead guitar, Jimmy Marriott on drums, Bobby Smith on bass, Lucky Floyd on drums and lead vocal and lastly Gary P. Nunn on rhythm guitar and organ. The group signed to Hickory Records and was able to get Roy Orbison’s drummer, Larry Parks, as their producer. In 1966 they recorded “The Hip” which turned out to be a swinging dance number quite popular with the fraternity crowd at the University of Texas at Austin. This single is one, which I consider a novelty in a garage/psych genre, being that the vocals are so fast they have a rapping or slam quality.


The Sparkles were one of a few groups that were a working band only; they played for their livelihood, perfecting their sound with no dead end jobs getting in the way. The group recorded their masterpiece “No Friend of Mine” in late 1967. This incendiary effort distinguished by Nunn’s snarling guitar lead and Floyd’s remarkably anguished vocal was later immortalized via inclusion on the first Nuggets box set. I have not had the chance to pull an original copy of “No Friend Of Mine,” being that it is a rare sought after single these days, however lucking out with “The Hip.” I was able to get my hands on a rerelease that Sundazed put out in 2005 that included three tracks: “No Friend of Mine,” “Hipsville 29 B.C.” and “I Want To Be Free.” As for this group, the nuclear meltdown-strength classics “The Hip,” and “No Friend Of Mine” are of a different breed than any group of this time period; they capture the garage genre at peak power for the sixties. ENJOY.

LISTEN: The Sparkles – The U.T.

LISTEN: The Sparkles – The Hip

LISTEN: The Sparkles – No Friend Of Mine

15 Oct 2009, Comments (1)

The Countdown 5 – Uncle Kirby (Toucan) 1967

Author: michael selman

This week I have been off of my feet due to a bike spill. Being that the record convention was this past weekend, I was able, prior to the spill, to dig up some new Texas fuzz. So please bear with me, next week will return to a normal length.

The Countdown 5 was formed out of the demise of a group called The Dominoes, a high school band, from Texas City, Texas. The Bamboo Hut was a Dance club in Galveston, Texas where the group became the house band. The Bamboo Hut would be a place for, practicing and performing and really tightening their sound, which later put them on the billboard top 100. In 1965, the Countdown recorded the single “Bamboo Hut,” recorded on the Pasadena label Pic 1. The single carries over a frat rock sound from the early sixties, a high-energy dance number, showing homage to their original stomping ground. The honkin’ saxophone layered over a theme of constant beach parties at a grass hut, just seems to have fallen out of a Frankie Avalon picture. “Bamboo Hut,” never stirred much attention for the group except for a local Galveston following.

Countdown 5, two years later recorded “Uncle Kirby,” this single gave the group a spot on the national charts. This track starts out with a slow psych tone, which drops out to reveal a paint peeling screamer, “I’m Gonna Get Rich.” This screamer was the beginning of an evolution of The 5’s sound, which continues with their singles to follow. The group changed labels to a local Galveston label, Toucan Records. It seems that the group, at the same time, released this single on the Houston Cinema label, but I cant figure out which came first, but I think the Toucan press was a much smaller local press. “Uncle Kirby,” later turned up on the Texas Flashback Compilation.

Coastliners1966ed

LISTEN: Countdown 5 – Bamboo Hut

LISTEN: Countdown 5 – Uncle Kirby (from Brazil)

3 Sep 2009, Comments (0)

The Clique – Splash 1 (Cinema) 1967

Author: michael selman
the clique 45

Texas bands in the late sixties began to change their sound from more of a frat rock sound to a more psychedelic sound. This evolution began with the Elevators; The Clique is no different, with their Elevators cover of “Splash 1.” Lacking a jug, however, still encompassing the new psychedelic sound, this track helped push this sound into Houston, Texas. The Clique formed after the demise of three bands: The Lavender Hour, The Roustabouts and The Sandpipers. The original band members were: John Kanesaw on drums, Bruce Tinch on bass guitar, Cooper Hawthorne on lead guitar, David Dunham on saxophone and Larry Lawson on piano. This single (Splash 1 and Stay by Me) was recorded in the summer of 1967 in Andrus Studios in Houston, Texas. Splash 1 gave the group some fame in Texas staying on the Houston charts for a number of weeks. The single also achieved the number 113 spot on the national charts. Later that year and the year following, the group opened for many larger groups including: The Dave Clark Five, The Association, Sam and Dave and George Carlin.

The fact remains that on “Splash 1,” the Clique managed to do the Elevators justice, where everyone else’s attempts fell short. The song was released on the local Cinema (shown in scan) and then Wand labels, followed by a national release on Scepter – none of which garnered much attention. Later their tunes rose to a broader audience backed by record producer/songwriter Gary Zekley. Singles like “I’ll Hold Out My Hand” and “Sugar on Sunday” gave this little band from Houston fame, not to mention one of their tracks “Superman,” was covered by REM in 1986.

the clique stairs

LISTEN: The Clique – Splash 1

LISTEN: The Clique – Stay By Me