Tags: funk

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Ladies and Gents, stone cold funky rappin from 1968! Dewey “Pigmeat” Markham was a routine comic and central figure in the traveling burlesque and vaudevillian entertainment circuits in the 1920s and 30s, but is best known for his Here Comes The Judge comedy routine and subsequent recordings with Chess Records in the 1960s. The catchphrase soon became a nationwide hit, inspiring recording acts from Shorty Long to Bull and the Matadors to release their own records with homage to the Judge, even Pigmeat himself tried to topple to phenomenon and recorded a few other versions of the Judge but none of them lasted as long as the original. Predating Blowfly by a good decade, Pigmeat recorded what is now considered to be one of the first raps in recorded history.

One of the first things to grab my attention on this particular 45 was the huuuge funky drums backing the Judge’s rapping order, and I took a closer gander at the record to see that Ralph Bass was behind the production of this particular 45. If you weren’t too familiar (it’s Ok, I wasn’t either) Ralph Bass had an enormous career in A&R and record production in R&B and soul music. His name tenders credits to everyone from T-Bone Walker to Hank Ballard and James Brown aka Mr. Dynamite himself (and is in fact partly responsible for breaking Please Please Please on the airwaves) to mostly all of the recording artists on Chess Records and later working with John Lee Hooker on ABC Records. I’ll keep today’s post a bit on the lighter side, but I hope you enjoy today’s funky slab of justice!

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LISTEN/DOWNLOAD: Pigmeat Markham-Here Comes The Judge


Straight from San Antonio, Danny & The Tejanos show us some chicano funk with their instrumental “Mustard Greens.” The Tejanos had a small discography starting with San Antonio’s Pa-Go-Go label; known for it’s famed release of “96 Tears.” Pa-Go-Go was a family owned independent record label based at 408 Hazel St. San Antonio, Texas. The name of the label was derived from the names of the family members who ran the operation: PAto, Rudy and Manuel GOnzales. Danny and the Tejanos stayed with Pa-Go-Go for only one release quickly, within the same year, switching to Huey P Meaux’s Teardrop Records. Teardrop was founded in Winnie, Texas in the early 1960s. Huey P. Meaux quickly moved his label to Conroe, Texas. Many of the Texas releases out there have gone through Meaux, a lot of the time under his original Disc Jockey name the “Crazy Cajun.” Later The Tejanos changed their name to Danny & The Texans and recorded a single for Cobra Records.

Most of the other releases from the Tejanos are slower soul tracks with honking horns and dripping lyrics. “Mustard Greens,” stands out from any other release from this group. Right from the top, the track barrels into a strong bass line and hooky horn section. About half way through when the drum break hits you know you’re hearing some heavy San Antonio Funk. Enjoy.

Pa-Go-Go
112 – Sweet Thing/ What’s The Word (1966)
Tear Drop
3148 – Oiga Compadre/ Por Tu Dulce Amor
3164 – My Love / Mustard Greens (1966)
Danny and the Texans
Cobra
001 – Rockin’ Johnny Home / Old Reb

LISTEN: Danny & The Tejanos – Mustard Greens

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Stepping away from Texas artists for a moment (as noted with last weeks post), I felt like posting up this funky psych-tinged instrumental from legendary soul drummer Paul Humphrey, recorded with his Cool Aid Chemists for the L.A.-based Lizard label. But there’s a reason behind this week’s 45 display (outside of just being way rad), and it’s because this song seems to have lodged it’s drum-heavy anthemic melody within my psyche’s jukebox, stuck on repeat, and I HAVE to get it out. Admittedly, it’s super catchy, and has a certain ‘bounce’ to it, specifically within the first 40 seconds with the enormous drum fills that seem to have been made by God Himself. But there is just something to really admire about the punchy snare and kick drum featured prominently on this particular recording that I just can’t get over, simply put it’s just got a lot o’ balls and it’s got major funk snap. Additionally, this 45 is not on a ‘rare’/'endangered species’ list, I actually have a couple of copies in my collection that I’ve found locally, at the oddest of places nonetheless. And these 45s seem to have sold well in its day, there are usually a few copies for sell on the electronic bay, it’s the full-length from which this single came (Cool-Aid) that’s a bit tougher to come by.

Lending his drumming chops to everyone from Marvin Gaye (Let’s Get It On, anyone?) to Steely Dan to Lawrence Welk (yes, THAT Lawrence Welk), Paul Humphrey was no stranger to recording studios in L.A. in his busy session activity in the 60s and 70s. Mr. Humphrey was also featured on Frank Zappa’s Hot Rats masterpiece, performing on “Son of Mr. Green Genes” and “The Gumbo Variations”. Born and raised in the Motor City (hence the name-check), Mr. Humphrey soon moved out west to fill in as a recording session player in L.A’s burgeoning music production scene, and you can hear his chops on a mountain of soul, jazz, and pop records from the era. So revered in fact, that none other than DJ and programmer extraordinaire Josh Davis with colleague B+ produced a meeting of the minds featurette, with some of L.A.’s biggest funk n’ soul drum sessioners teaming up with L.A.’s biggest beat producers and turntablists to jam together at L.A’s storied El Rey Theater. It’s called “Keep In Time” (sorry Dan if you’re reading this, I’ll get you back your DVD soon-ish!), and you can check out some youtube clips right o’er HERE and check out the magic.

Wish I could find more info on Lizard Records, but alas, not too much info on their origins or history outside of the fact that they were located on some obscure commercial strip in downtown L.A (8913 Sunset Blvd to be precise). Interesting side note, Gabriel Mekler was credited as producer on the LP, who also pens production credit on a slew of L.A.’s most well-known jazz, pop, and psychedelic records from the 60s and early 70s (Steppenwolf, Janis Joplin, Etta James, to name a few). If anyone should have some more info on the label, please feel free to send it this way. Lastly, I want to give proper daps to DJ Prestige over at Flea Market Funk for some background info and photo credit, you can check out his fine vinyl blog over here. I am close to getting a new camera so I’ll be back and running my own pictures, but this’ll have to do in the meantime. Hope you enjoy today’s post, here is Paul Humphrey and His Cool Aid Chemists funky homage to their hometown (included with traffic ambiance and all).

LISTEN: Paul Humphrey & His Cool Aid Chemists-Detroit

18 Dec 2009, Comments (1)

Fried Chicken-Funky D.J. (Stone 1976)

Author: alex larotta
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Matching Earnest Jackson’s “Funky Black Man” to an almost exact degree by tempo and arrangement, Fried Chicken’s “Funky D.J.” takes a veritable spin on the original with an homage, as you might have guessed, to a very funky disc jockey. Notable differences in Fried Chicken’s version are the lack of a bridged horn section, a slightly different guitar-driven outro, and alteration in lyrics/theme, but otherwise a near match of Mr. Jackson’s original. So close, in fact, that I was confused of the differences between the two for quite sometime before I cleared the mystery. Don’t take my word for it though, you can see for yourself here.

Fried Chicken, otherwise known as Bubbha Thomas and The Lightmen (Plus One) of Houston, TX, cut this single for the Baton Rouge-based Stone Records in 1976 at the legendary Deep South studios. Thomas, known largely for his work with The Lightmen on Houston-based Judnell label as well as his own Lightnin’ label, remains musically active in Houston with regular concerts as well as his Jazz Summer Workshops and various communal activities to this day. As a famed jazz rhythm drummer, Thomas trained under the guidance of Houston’s legendary jazz music educator Conrad O. Johnson (of Kashmere Stage Band fame) at Booker T. Washington Senior High School in Houston’s 4th Ward district. Producer Ronnie Shaab is credited for production and writing credits on both Funky DJ and Funky Black Man, and oversaw various works to come from Deep South’s archive of funkistry, including two of The Brothers and Sisters singles “Yeah, You Right” and “The Jed Clapmett Pts 1 & 2″. Both of which are HEAVY hitters, pick ‘em up if’n you got the means. Thomas’s music recently gained a large amount of attention amongst funk diggers and connoisseurs via Stones Throw’s revered Funky 16 Corners funk compilation, which featured “The Phantom” off The Lightmen’s signature “Energy Control Center” LP released in 1972 off Thomas’s Lightnin’ label. Funky DJ was also featured on DJ Shadow and Cut Chemist’s venerated funk 45 session, Brainfreeze, while Funky Black Man was featured on their second 45 series, Product Placement, as the “bizarro” intro version of the Brainfreeze original. Though recorded in Louisiana under their nom de plume (likely a reference to Thomas’s ‘Country Fried Chicken’ LP), Fried Chicken’s Funky DJ is a hefty portion of southern-fried groove-laden dirty Tejas funk, and one of my favorites at that.

And before I sign off, just wanted to note that I will be travelin southbound to the Motherland (aka Bogota, Colombia to be precise) for a large chunk of the Christmas holidays. So, I shall be absent from the rest of this month’s posts, but I will try my damndest to post my digging treasures from the streets of Bogota depending on my interneting abilities while I am there. I’ll be home in January with a cache of goodies from the trip and will definitely post up some of the digs, but in the mean time, I bid you a Feliz Navidad/Hanukkah/Kwanzaa et al, and a very Happy New Years. Thanks for checking us out while we got our site off the ground this year, and we have large surprises and changes in store coming up for the new year as we move on to better/faster/stronger v2.0 (including exclusive interviews, mixes, guest posts, music player plug-ins etc etc)!! Thanks again, we’ll be seein you soon, Michael will be holdin down the shakin’ fort with his exquisite selection of Texas fuzz, distortion and all good things in the world of garage and psych. Til’ the next decade kiddos!

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LISTEN: Fried Chicken-Funky D.J.

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