Tags: latin

5 Feb 2010, Comments (4)

Rafael Duran y Omega-Pow Pow (Mr. G 1973)

Author: alex larotta
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Greetings fellow shakers, thought I should spice it up a bit with some Texas-flavored latin soul for this week’s post. To be more precise, this record seems to fall more in line with the guajira boogaloo category, though retaining a uniquely soulful property. Hailing from San Antonio, TX, Rafael Duran Y Omega cut this groove-laden slinky single for the local Mr. G Records. Pow-Pow features a distinctly haunting overtone with a moody B3 organ adding that delightful polyrhythmic quality commonplace in afro cuban rhythms. Though limited information, I did find that Rafael Duran Y Omega cut a full length LP with Mr. G in the late 70s, but it seems to be more of the Ranchera/Tejano persuasion, likely within their latter career days. The duo also released a handful of 45s for Mr. G, but with little radio love they seemed to have disappeared into obscurity due to limited commercial success. Eddie Aleman is credited as singer for this particular recording, and most likely recorded at Mr. Guerra’s Amen Studios in San Antonio, still in operation to this day.

Mr. G Records seem to have also slipped into ambiguity with little information to trail, and although they were an independent/private record label, Mr. G is responsible for some of the biggest, meanest (and rarest) funk and soul to come from our beloved Lone Star State. Recording and releasing records from the now-legendary Mickey and The Soul Generation, quoted to be Josh Davis’s aka DJ Shadow’s “favorite funk band” (check out his own reissue of that band’s recordings, Iron Leg, here) to Dimas and a wealthy grip of Chicano artists, Mr. G kept San Antonio in independent music business.

Interesting to note that the publishing company noted on this record, “Guerra Company Production“, are also responsible for releasing some of San Antonio’s greatest brown-eyed soul and pop groups under the GC Productions label, ranging from Tortilla Factory to Joe Gallardo y Sol to The Royal Jesters and much more. GC Productions was also manned by the aforementioned Manny Guerra and his team of music producers. Lastly, thought I would point out that Jazzman Gerald’s storied Texas Funk compilation features some music from Manny’s labels, and the cover art on the record actually reads, “Mr. G’s Texas Funk“. Props to Austin print designer and record collector extraordinaire, Noel Waggener, for his contributions to the cover and compilation. Without further ado, Rafael Duran y Omega’s “Pow-Pow“, hope you dig it!

LISTEN: Rafael Duran Y Ortega-Pow Pow

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Greetings! Hello again, hope all is well in your corner of the globe. We are back in full force now with the blog, and returning to our regular posts now that the holiday season is over. As mentioned previously, I was down south in the wondrous capitol of Colombia, Santa Fe de Bogota. Though I didn’t find the time there to update the blog while visiting with family, I was able to dig up some fine Colombian and Latin records in the ferrias (outdoor markets) outlying the swelling hub of the maniacal downtown hustle. I met a few of the vinyl and music merchants during my lustful vinyl escapades, and it was in one of the ferrias that I met Leon, an amicable vinyl dealer with loads of latino boogalos, cumbias, porros, salsas, and even some rare 60s era Andean garage and psych records (and a unique taste for 80s death and black metal). Though a few were out of my wallets stretch, I did come through with an affordable grip of all these genres and more (including an oddball Colombian-label release of Dennis Coffey and the Detroit Guitar Band’s Electric Coffey LP).

So, I thought it would be incumbent upon me to share some of my flea market found goodies. And today’s post, in particular, is a personal favorite and I was quite ecstatic when I came across this LP in a dusty, busted-up Coca-Cola crate located under a 30 pound load of mid-century medical Encyclopedias (in good shape, considering). Stepping out of the funk and soul outfit, I’d like to introduce some fine NY-styled latin boogaloo by one of the masters of the game, Mr. Ray Barretto, recorded and released on the giant of Latin labels, Fania Records.

Although Fania was a NY-based label, it represented the explosive musical soundscapes of Latino music and culture in the 1960s, post big-band jazz ensembles and orquestras. Started by famed musician Johnny Pacheco and attorney Jerry Musucci, Fania released a host of latino records by some of the biggest names in Salsa, Latin-jazz, and Boogaloo. Ray Barretto, today’s musician of discussion, is considered by many as the ‘Godfather of Latin Jazz’. Born and raised in Spanish Harlem, Ray’s parents moved from Puerto Rico in the 1920s, where he learned and mastered jazz percussion and incorporated aspects of afro-latin rhythms, now considered to be his signature stylings on latin records of his day. A Deeper Shade of Soul, featured on Ray’s landmark 1968 Acid LP, represents the revolutionary sounding of NY-styled latin boogaloo, with fresh fusions of traditional Cuban mambo rhythm and American boogaloo and R&B, amongst a host of other pan-American influences. Without further ado, hope you enjoy today’s selection, and I’ll have to apologize because I don’t have the ability to post up more pictures due to the fact that my camera was stolen during my trip. SO, until I get the means to get another one, which should be soon, I’ll have to use some photos I found online of the record. And I highly recommend PBS’s fantastic Latin music mini-series, Latin Music USA, for more in-depth info on Fania and the NY latin sound (as well as all facets of Latin-American music), which can be found here. And lastly, a big shout out to Larry G. over at The Funky 16 Corners blog, thanks for the nod! And on that note, check out his post on Mr. Barretto’s The Soul Drummers, a fantastic funked-up slice o’ latin boogaloo also found on this gem of an LP, you can check it out here.

kennykasualsband

LISTEN: Ray Barretto- A Deeper Shade of Soul

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