Tags: psych

26 Aug 2010, Comments (0)

The New Breed – P.M. or Later (Jamie) 1967

Author: michael selman

I have been trying to locate members of The New Breed for a long time with no real luck. The confusion surrounding this band has proven to be quite a hardship to research, for in trying to cross facts many inaccuracies are found. The New Breed was another great Dallas area group headed up by the master writer and vocalist Ron Price. Ron wrote Texas hits such as “Wishy Washy Woman”, and “My Girl” for Jimmy Rabbit. He also wrote the tune “Didn’t We Have a Good Time” for The Mystics, another Dallas group, which is where some inaccuracies surface.


Many sources falsely accredit Price as one of the musicians who played with The Mystics. I contacted Bud Bruschardt who was part owner of GPC Enterprises in the 60s. GPC was the booking agency that promoted The Mystics. I Hoped Bud would have some information on The New Breed or could confirm or deny whether Price was in The Mystics. He was under the assumption that Price was in the group as well, but was not really sure, being that it had been forty years and that he only booked the group. He was nice and mailed me some great promo shots of the Mystics and some publicity prints.


Bud pointed out that in “Journey to Tyme” (Texas discography of 60’s psych), The Mystics and The New Breed were listed as the same group. Bud told me to try to contact Robin Hood Brians out of Tyler, TX. Robin had recorded and produced The New Breeds last record in 1968 “I’d Like To See Her Again/High Society Girl.” Robin Hood, as most know, is one of the heavy hitters when it comes to recording and production in Texas. He is known for recording Jon and Robin, Kenny and The Kasuals, The Moving Sidewalks and Jimmy Rabbit. I tried to contact Robin Hood for a while with little luck.


In the mean time I stumbled upon an interview at Garage Hangover with Dave Mitchell, the bassist from the Mystics. He confirmed that Price was never in the group, that he only wrote their single. Price became affiliated with The Mystics after they won a battle of the bands. This set them up with a single on the Spectra label, out of Dallas, who Price had been working with at the time. This interview shows many scans of the band lacking any photos of Ron Price. Mitchell claims that the Spectra label and the In Crowd label (The New Breed’s first label) had some affiliation. The two labels, according to Mitchell, mislead the public to believe that The Mystics became The New Breed, to give the band some publicity. I then tracked down a man by the name of Gerald Peirce, who was in a group named the Mystics and soon after joined another group called The New Breed. As it turns out there was another Mystics from Port Neches, TX and another New Breed from Beaumont, TX. For a side note Peirce was in a group named The Basic Things also from Beaumont; check it out on Garage Hangover.

I also stumbled upon a great interview at 60sgaragebands, where Bill Looney from The Penthouse Five, another amazing Dallas group, spoke of some affiliation with Price. The Penthouse Five used to play gigs in Dallas with The New Breed and actually recorded one of Price’s tunes, “Don’t Mess Around With My Dream”. This interview seems to reflect that Price was in The Mystics as well.

Around this time I received a call back from Robin Hood, he told me that he didn’t remember the exact details, but he thought that the group consisted of a few brothers and that he would contact Ron Price to verify. When Robin called me back I learned that Ron Price had passed away several years ago from multiple strokes. Robin Hood told me that Ron’s brother, who Robin spoke with on the phone, said the band consisted of five brothers. He also claimed to be the vocalist on “I’d Like to See Her Again.” The brother also said the group at one time had played as Roy Orbison’s backing band? Robin told me that he didn’t feel comfortable giving me the brother’s name or number and that he would forward my email to him so he could contact me. That email never came…

I am posting this hoping one of our readers will solve the mystery. If a person was to look close at the scan of “P.M. or Later”, D. Morris was credited as well as R. Price, proving that at least a portion of the writing crew was not of relation. BMI doest not reflect D. Morris, only Ron Price as the writer. Another thing that is funny to mention here is that after this track was pressed regionally, the Jamie Label picked it up and sited the production to Ray Price instead of Ron Price. If anyone has any information about The New Breed or Ron Price please contact us and we will reference your contribution.

The New Breed Discography

In Crowd 001 – Sunny/P.M. Or Later
Jamie 1341 – Sunny/P.M. Or Later
In Crowd – Little Bit of Soul
In Crowd 1234 – Big Time/Summer’s Comin’
Fraternity 1003 – I’d Like To See Her Again/High Society Girl

LISTEN: The Mystics – Didn’t We Have Good Time

LISTEN: The New Breed – High Society Girl

LISTEN: The New Breed – P.M. Or Later

24 Aug 2010, Comments (2)

Carl Carlton-Wild Child (Back Beat 1970)

Author: alex larotta

Before the disco sheen of ‘Everlasting Love’ and ‘She’s A Bad Mama Jama’, Houston’s Carl Carlton (by way of Detroit) dabbled with the experimental sounds of psychedelic funk, if for only a short moment in his career. Steeped in druggy grooves, backward tape loops, and fuzz guitar tones, Carlton’s Wild Child makes for some of the best in this short-lived variety. Carlton ran the gamut of nearly every soul style; from early R&B and southern funky soul to the 4/4 boogie train of the 1970s and 80s (from which he’s popularly known) and later affiliations with gospel music.

Likely taking his cue from acid-blues hero Jimi Hendrix and fellow Motor City native George Clinton with his new bag of funky rock, Carlton and his band got to work on branding their own take on psychedelia, produced by renowned Philly music producer Bunny Sigler (Gamble and Huff). Recorded on Don Robey’s home for Houston R&B–Back Beat Records–Carlton recorded a handful of 45s for the label until his departure in the mid 70s. Given the poor storage of the record by its previous owner(s), you’ll have to excuse the pops and tics, but this is Texas black psychedelia at its finest.

LISTEN: Carl Carlton-Wild Child
kenny and the kasuals

In the early 60s, John Howard Abdnor Sr. an insurance/business mogul turned record baron started Abnak Records in Dallas. Abdnor’s son, John Abdnor Jr. was the primary vehicle for the musical venture, as an outlet for the young adult’s creative interests. Abdnor Sr. quickly realized the monetary value to a successful record label when he signed The Five Americans and became their manager. Abdnor also started up the subsidiary label, Jetstar.

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Abdnor Jr. recorded a few uncharting singles on his fathers label, in 63’ and 64’ only gaining airplay in his hometown of Dallas. Because of his father’s connections, scored a single on ATCO to reach a national audience. After this failure, Abdnor was paired with female vocalist Javonne Braga, forming the duo Jon & Robin. Javonne’s name was changed professionally to Robin, being a replacement of Jon’s original partner Robin Beavers, who wouldn’t work with Abdnor and quit before the group recorded any material. As Jon & Robin, Abdnor finally reached a national audience charting nationally in the top 20’s in 1967 with their hit “Do It Again A Little Bit Slower.” The duo’s backing band was a five piece known as The In Crowd.

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The photo above was taken at Louann’s in Dallas

A few sources, which turned up, stated falsely that the backing band for this duo was the Louisiana group, also named The In Crowd, who recorded for the Ronn Label. This In Crowd (the Abnak In Crowd) consisted of Bobby Rambo (guitar, percussion), Jim Glaves (keyboards), Pete Monlino (guitar), James Anderson (bass), and Rex Ludwick (drums). The group had a sound, which mimicked The Five Americans because of their great success in Dallas and nationally. The In Crowd tried to release a few singles with minimal success. When the second Jon & Robin full length was dropped the In Crowd was down to just Rambo and Glaves with three members of The Five Americans John Durill, Jim Grant, and Jimmy Wright, along with the Americans front man Mike Rabon doing all the production. In fact after the groups second single “Hangin’ From Your Lovin’ Tree” in mid 68’ the group disbanded and Rambo joined The Five Americans lineup in 1969.

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Jon & Robin and The In Crowd never reached their initial success, received from their first charting hit, however did continue to chart in the low 100s. They released a full length in 1967, with their hit pushing it through, named Soul of a Boy and Girl. In 1968 with their second full length, Elastic Event, the group shifted gears and transformed their sound to more of a fuzzed, bubble gum, psych sound. This full length contained the single “Dr. Jon (The Medicine Man).” This single was not unlike the rest of this LP with fuzz blasting, summoning an aggressive tone yet still containing a strong pop sensibility, through catchy hooks and great harmonies. Dr Jon was written by Wayne Carson Thompson, made famous for writing The Box Top’s hit, “The Letter.”

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Spearheaded from poor sales of their second full length each Jon & Robin tried a solo go of it, with minimal success yet again. Jon recorded a single “Save Me, Save Me,” which was coined Jon & The In Crowd notably with Robin’s name missing from the disc, and the flip of an earlier Jon & Robin Tune. Robin’s single “Dirty Old Man” was received just as poorly with a flip of another earlier Jon & Robin tune as well. The two reunited in late 68’ for a few more singles only to call it quits in 1969. Javonne Braga married Five Americans drummer Jimmy Wright in 1970. Jon tried to continue a music career with only dead ends following him in every direction. Jon ended up having a mental breakdown and was check in at Presbyterian Hospital in Dallas, where he supposedly developed an affair with his psychiatric nurse. After Abdnor’s release, he and the nurse moved into together, where Jon’s mental difficulties followed, for Jon murdered her in the home.

LISTEN: Jon & Robin and The In Crowd – Dr. Jon (The Medicine Man)

25 Jan 2010, Comments (0)

The Modulation Corporation (ATOM) 1967

Author: michael selman
kenny and the kasuals

Due to a family engagement I was unable to post this past Thursday, so I am going to make a short post about a group in which I have been unable to find any real information. I have about five or six singles in the same boat, which I have been sitting on because of a lack of information and sources. I have been researching this group ever since I picked this disc up at the record store I work at Breakaway Records. I know the group is from Texas and the single “What To Do” was recorded in 1967. This track and the flip have popped up on a few comps, most notably Texas Flashback and I found a copy on popsike, but of course no real information about the group. I really enjoy this single for the recording on “What To Do” is very primitive giving this track a crude and raw feel. I love how the first line of vocals is almost inaudible. The flip “Worms” has much more of a later sixties blues influence with straight forward guitar solos. Hope you enjoy, by the way if anyone of our readers has any information about this record label or this group please comment or email us and I’ll post up your info and source you as well.

LISTEN: The Modulation Corporation – What To Do

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