Tags: psych

15 Oct 2009, Comments (2)

The Countdown 5 – Uncle Kirby (Toucan) 1967

Author: michael selman

This week I have been off of my feet due to a bike spill. Being that the record convention was this past weekend, I was able, prior to the spill, to dig up some new Texas fuzz. So please bear with me, next week will return to a normal length.

The Countdown 5 was formed out of the demise of a group called The Dominoes, a high school band, from Texas City, Texas. The Bamboo Hut was a Dance club in Galveston, Texas where the group became the house band. The Bamboo Hut would be a place for, practicing and performing and really tightening their sound, which later put them on the billboard top 100. In 1965, the Countdown recorded the single “Bamboo Hut,” recorded on the Pasadena label Pic 1. The single carries over a frat rock sound from the early sixties, a high-energy dance number, showing homage to their original stomping ground. The honkin’ saxophone layered over a theme of constant beach parties at a grass hut, just seems to have fallen out of a Frankie Avalon picture. “Bamboo Hut,” never stirred much attention for the group except for a local Galveston following.

Countdown 5, two years later recorded “Uncle Kirby,” this single gave the group a spot on the national charts. This track starts out with a slow psych tone, which drops out to reveal a paint peeling screamer, “I’m Gonna Get Rich.” This screamer was the beginning of an evolution of The 5’s sound, which continues with their singles to follow. The group changed labels to a local Galveston label, Toucan Records. It seems that the group, at the same time, released this single on the Houston Cinema label, but I cant figure out which came first, but I think the Toucan press was a much smaller local press. “Uncle Kirby,” later turned up on the Texas Flashback Compilation.

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LISTEN: Countdown 5 – Bamboo Hut

LISTEN: Countdown 5 – Uncle Kirby (from Brazil)

Proper Circle

Most psychedelic bands evolved their sound from surf rock or garage rock from the fifties and early sixties. The Proper Circle, coming from the beachfront city of Galveston, Texas, followed this evolution in music. The Proper Circle was formed out of the demise of two other bands, The Tempests and The Sonics (not to be confused with the group from Washington). The group was a five a piece with band members coming and going, the main members were: Phillip Ochoa – drums, George Bolton – vocals, guitar, keyboards, Neal Witwer – bass, guitar and vocals, Cheryl “Cher” Comeaux – vocals and Jim Milan – bass, guitar and vocals. Two other young men would play with the group from time to time being Warren Potter – rhythm guitar and Johnny Maisel – guitar. I would like to point out the band members in this group range in ages from 16 -18 years old, which is astonishing, considering their talent. The bands manager was Robert Ochoa who was Phillip’s brother. Robert provided some financial backing for the band, being that all of the members were teenagers without disposable incomes, in the way of instruments and amplifiers.

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The group recorded “One Day Love” in the Goldstar Studios in Houston for the Picture label. This single “One Day Love” would be Picture’s last pressing before the demise of the label. Their drummer Phillip Ochoa wrote “One Day Love”. The Proper Circle recorded a slew of singles on the Picture Label starting in 1966 and ending in 1968. This track in particular has a Free Design feel with driving dark eerie keyboards, a touch of fuzz, however still retaining an almost folk influenced harmony. The Proper Circle changed their name in 1968 to The 1900 Storm giving homage to their Galveston roots. This change was lead by the loss of George Bolton from the line up to be replaced by Roy Crawford. The group went on to tour in the golden triangle with such acts as Moving Sidewalks, The Clique and The Sixpence. While the band changed their name, the one defining quality they assumed was their amazing harmonies, even being compared to such bands as the Cowsills, which was an influence on the Partridge Family.

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LISTEN: The Proper Circle – One Day Love

liberty bell

This story starts in Corpus Christi, Texas. Ronnie Tanner, a local kid from Corpus was asked to audition for a group named “The Zulu’s.” Tanner was asked to join the group as lead singer. The group was signed to a small Label from Corpus called CEE BEE Records owned by Carl Becker, who became their manager for a short time. Once signed, the group changed their name to “Liberty Bell.” The group recorded three singles for CEE BEE, one being a rendition of The Yardbirds “The Nazz Are Blue.” These tunes were traditional garage, frat rock tracks. Ronnie Tanner was soon drafted to Vietnam where Chris Gernoitis took his place. With this new addition came Don Robey. Robey owned The Backbeat label out of Houston, which was a bigger label with a larger distribution. Robey had heard Gernoitis from his prior group the legendary “Zackary Thaks.” The group decided to sign with Backbeat to record “LOOK FOR TOMORROW.” This track would still have the hard edge that all of the other singles contained from the CEE BEE days, however, now Liberty Bell was including much more of a slowed down psych sound.

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LISTEN:Liberty Bell – Look for Tomorrow

COFFEY-SCORPIO

Hello my peoples, thanks for stopping by, pardon our dust while we work on our streaming media player and get this baby 100%. Today’s selection is a fine-tuned funky orchestration by Detroit’s beloved guitar funk hero, Dennis Coffey. Well known throughout the break-beat and sample community, Scorpio was featured on Mr. Coffey’s astounding sophomore LP release on Sussex entitled “Evolution”. Mr. Coffey mastered his guitar chops as a teen growing up in The Motor City during the late 1950’s, garnering a few lessons from relatives and playing throughout the local music circuit. Performing later on several records as a studio player, he soon gained attention as a tight-knit and versatile player and dabbled shortly thereafter into composition and arrangement for well-known soul acts and labels throughout Detroit’s burgeoning music scene (including none other than motor city giants, Funkadelic and The Spinners to name a couple). Coffey was also a member of legendary rock fusion group Rare Earth throughout its activity from the late 60’s to early 70’s.

Before (and later during) his solo career, Mr. Coffey was a part of the legendary Motown studio rhythm collective, The Funk Brothers, which helped personify and meld that unmistakable, fabled Motown sonancy later dubbed “The Sound of Young America”. Though he wasn’t involved until these rearmost years of the group’s activity (1959-1972), his sonic imprint and innovative use of the wah-wah peddle can be heard on Motown releases during his activity (i.e. the funkier/psych side of The Temptations and The Isley Brothers), bringing his effects-heavy guitar fire to the reputable label.

Branching out on his own to fulfill his own projects, Mr. Coffey soon assembled The Detroit Guitar Band out of the hot bed of talent throughout Detroit and recorded some of the toughest, grittiest instrumental guitar funk ever laid to tape. “Evolution” features the funkiest Led Zeppelin cover you’ll EVER hear (as featured on DJ Shadow and Cut Chemist’s 45 funk mix masterpiece Product Placement), this record simply does not let down from the initial needle drop and is a true groove burner from start to finish. And our particular song in the light, Scorpio, is a fine example of this Coffey sound, with a psychy funk fuzz and wah-wah drenched alto guitar charging through this four minute up-tempo strut featuring one of the greatest drum breaks of all time. This break alone could be wholly responsible for a large chunk of hip-hop’s inception, its featured slinky pulsating bass line on top of a super heavy backbeat made for exquisite fodder for the classic ol skool deejays and b-boys. Scorpio also became a popular cover track for bands incorporating beat-heavy funk rhythm into their sound, including a stellar rendition by Conrad O. Johnson’s own Kashmere Stage Band which almost rivals the original on their take of this funk classic. Hope this one puts that stuff in yo’ strut, kids.

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LISTEN: Dennis Coffey and The Detroit Guitar Band-Scorpio

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