Tags: texas

5 Feb 2010, Comments (4)

Rafael Duran y Omega-Pow Pow (Mr. G 1973)

Author: alex larotta
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Greetings fellow shakers, thought I should spice it up a bit with some Texas-flavored latin soul for this week’s post. To be more precise, this record seems to fall more in line with the guajira boogaloo category, though retaining a uniquely soulful property. Hailing from San Antonio, TX, Rafael Duran Y Omega cut this groove-laden slinky single for the local Mr. G Records. Pow-Pow features a distinctly haunting overtone with a moody B3 organ adding that delightful polyrhythmic quality commonplace in afro cuban rhythms. Though limited information, I did find that Rafael Duran Y Omega cut a full length LP with Mr. G in the late 70s, but it seems to be more of the Ranchera/Tejano persuasion, likely within their latter career days. The duo also released a handful of 45s for Mr. G, but with little radio love they seemed to have disappeared into obscurity due to limited commercial success. Eddie Aleman is credited as singer for this particular recording, and most likely recorded at Mr. Guerra’s Amen Studios in San Antonio, still in operation to this day.

Mr. G Records seem to have also slipped into ambiguity with little information to trail, and although they were an independent/private record label, Mr. G is responsible for some of the biggest, meanest (and rarest) funk and soul to come from our beloved Lone Star State. Recording and releasing records from the now-legendary Mickey and The Soul Generation, quoted to be Josh Davis’s aka DJ Shadow’s “favorite funk band” (check out his own reissue of that band’s recordings, Iron Leg, here) to Dimas and a wealthy grip of Chicano artists, Mr. G kept San Antonio in independent music business.

Interesting to note that the publishing company noted on this record, “Guerra Company Production“, are also responsible for releasing some of San Antonio’s greatest brown-eyed soul and pop groups under the GC Productions label, ranging from Tortilla Factory to Joe Gallardo y Sol to The Royal Jesters and much more. GC Productions was also manned by the aforementioned Manny Guerra and his team of music producers. Lastly, thought I would point out that Jazzman Gerald’s storied Texas Funk compilation features some music from Manny’s labels, and the cover art on the record actually reads, “Mr. G’s Texas Funk“. Props to Austin print designer and record collector extraordinaire, Noel Waggener, for his contributions to the cover and compilation. Without further ado, Rafael Duran y Omega’s “Pow-Pow“, hope you dig it!

LISTEN: Rafael Duran Y Ortega-Pow Pow

29 Jan 2010, Comments (7)

The Chayns – Night Time (Alamo Audio) 1966

Author: michael selman

This week’s selection comes to us from San Antonio, with a cover of “Night Time.” This Strangelove’s cover doesn’t have the piano intro or mainstream accessibility the original had, but still brings across quite a punch. The Chayns version is slower yet summons more of a real garage feel with its damp, dingy recording. I think The Strangleloves version may bring more people to their feet, however I prefer the slower of the two. The members were Myles Wells, Charles Eddleman, Wayne Gustafson, Dale Watson and Bob Turner.

The group originally recorded on A “Chayn Reaction” Production, also called Alamo Audio. I was unable again to find a lot of information on this group, but do know they did sign with International Artists some time in early 1967. The single scanned was released in December 1966, while the IA release hit the racks February 1967.


After many dead ends while researching this group, I posted some messages on G45 looking for some info. A few people replied, that the group came up with the name The Chayns from one day at practice; Bob Turner arrived wearing black boots with one chain around his ankle. The group thought they would be different and spell it Chayns.

The flip of this disc is really interesting as well, with it’s haunting intro and almost surf feel. ENJOY, I would like to point anyone interested in early punk and garage to the G45 website, for these guys know their stuff and can bring light to any obscure find.


LISTEN: The Chayns – Night Time

LISTEN: The Chayns – Live With The Moon

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This one takes the cake. Can’t say how excited I was when I came across this one at Friends of Sound Records some months back (thanks to my man Hobo D for pointing me in the right direction). I was familiar with James “Big Sambo” Young’s funkier cuts on Houston’s Jetstream Records, but had heard that his earlier R&B material was something to behold. Before listening to it, I gathered my purchases and headed to the household and plopped this whopper on the turntable and adjusted the volume to 11. I was floored. Seeing that I have a weakness for wild-eyed R&B stompers to begin with, and not to mention the sheer novelty of the lyrics (and band name) with mention of the fun-loving attendees of the party, including a “big fat chick” (about 400 lbs to be precise), I instantly fell in love with Big Sambo’s heavy hitting Texas-soaked rhythm and blues. It’s such a fun song, but it’s interesting to note that it’s the b-side to the radio plug side, “The Rains Came”. And when better to celebrate “At The Party” than this year, the 50th anniversary since its initial release.

Today’s record has a unique history, and as mentioned before, “The Rains Came” sold well as a radio friendly R&B ballad. It was legendary Texas music producer Huey P. Meaux’s intention to sell this ballad as Big Sambo’s big hitter, and it sold moderately well in its day, with a distribution of nearly 500,000 copies before the NAACP stepped in and asked James to renege on his controversial stage name. I had first heard The Rains Came by another of Meaux’s prodigies, San Antonians The Sir Douglas Quintet with their mid-tempo mod version of the track released on their Best Of album from 1966 (which is their first album, mind you). It is estimated that Huey and his universe of talent under his production name, The Crazy Cajun, recorded some 50 covers of this song throughout the span of a decade. Unfortunately, with limited information, I can only account for a handful, which leaves us much more to unearth. It seems Big Sambo never fully recovered from the NAACP’s meddling in his affairs, and he died at the young age of 45 in Port Arthur, TX with little recognition to the outside world. I’ll include both sides so you can get the full Sambo experience, and I’ll most likely post up his latter release on Huey Meaux’s Houston-based Jetstream Records on a later post. Before I go, check out Red Kelly’s (aka Soul Detective) phone interview with Huey on his storied production experiences and tribulations (good luck deciphering his heavy cajun drawl, it’s as thick as it gets), you can check it out here.

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LISTEN: Big Sambo and The House Wreckers-At The Party

LISTEN: Big Sambo and The House Wreckers-The Rains Came

25 Jan 2010, Comments (0)

The Modulation Corporation (ATOM) 1967

Author: michael selman
kenny and the kasuals

Due to a family engagement I was unable to post this past Thursday, so I am going to make a short post about a group in which I have been unable to find any real information. I have about five or six singles in the same boat, which I have been sitting on because of a lack of information and sources. I have been researching this group ever since I picked this disc up at the record store I work at Breakaway Records. I know the group is from Texas and the single “What To Do” was recorded in 1967. This track and the flip have popped up on a few comps, most notably Texas Flashback and I found a copy on popsike, but of course no real information about the group. I really enjoy this single for the recording on “What To Do” is very primitive giving this track a crude and raw feel. I love how the first line of vocals is almost inaudible. The flip “Worms” has much more of a later sixties blues influence with straight forward guitar solos. Hope you enjoy, by the way if anyone of our readers has any information about this record label or this group please comment or email us and I’ll post up your info and source you as well.

LISTEN: The Modulation Corporation – What To Do

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